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Wednesday, October 14, 2026
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Game Review: Band Frontman Jason Williamson Takes On Character in Sceptical Look at Ecstasy Generation Era

The work of Bristol sound co-founder the musician-producer, this scabrous if undernourished first film turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Still, a grimly amusing standoff takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

Just a single key story turn, but it leads to a hilariously staged chaotic run on the forest trails that veers toward rural terror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of bugs in headlights in the opening part, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

The film releases in British and Irish theaters from 17 November.

By

Deborah Gilbert

A media analyst with over a decade of experience covering UK and European media industries, specializing in digital transformation and cultural impact.

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